My friend, Ria, was commissioned to paint a replica of Da Vinci’s “Last Supper”, 3 meters (9 foot) wide.
Ria’s painting, in acrylic on sanded aluminum board, took her about a year. By comparison, Da Vinci took three years. Then again, Da Vinci’s version was slightly bigger than Ria’s – 9 meters (27 feet) wide and 5 meters (15 feet) high.
Da Vinci used faces of actual people in his painting. When the monastery prior complained that the work was taking too long Da Vinci wrote back that he was struggling to find a suitably evil face for Judas, but that he’d be happy to use the face of the prior who had complained. After that, the complaints stopped.
I saw Ria’s finished painting a few weeks ago and it was impressive from all points of view – the perspective, the detail, the accuracy of the copy, the colours. An all-round great job on a difficult commission.
If you haven’t seen Da Vinci’s painting, it’s his take on the story of Jesus with the twelve apostles having a last supper before the crucifixion. The apostles are shown in various stages of anger, suspicion and dismay.
A recent reviewer said “Dropping Into Darkness” reminded them of author Terry Pratchett.
The bad news is Terry’s books aren’t for everyone. He has a readership of a mere 85 million people. I’m a fan though, so in defence of Terry (and anyone kind enough to compare me to Terry), I’ve put together some of my favourite quotes from his books.
I’ve had many questions and comments about the cover illustration for my book, “Dropping Into Darkness”.
The fictional bridge on the cover (can’t say more about its importance without spoiling the plot) was inspired by a real-life bridge, the Trift Bridge in the Swiss Alps. That is a giddily narrow, high, thin, spidery foot bridge. A thing of insubstantial ropes and cables and planks. 570 meters (1700 feet) long and swaying in the wind 100 meters (300 feet or 10 storeys) up in the sky over a glacial gorge.
I started with an open source digital line drawing tool called “Inkscape”.