I ran a series of social media posts about Grisou the Cat. In each post I inserted him into some well known work of art – usually a painting – to show the artist how it should be done right. Then I challenged viewers for the best caption, to win international bragging rights. While there were great captions, the judges ignored MY captions. Quelle frustration! So by popular demand from the adoring millions (rounded up to the nearest millions) this post is dedicated to MY captions. At last! Take that, stupid judges!
God: More bloodied angel wing feathers in the garden? This has to stop.
My friend, Ria, was commissioned to paint a replica of Da Vinci’s “Last Supper”, 3 meters (9 foot) wide.
Ria’s painting, in acrylic on sanded aluminum board, took her about a year. By comparison, Da Vinci took three years. Then again, Da Vinci’s version was slightly bigger than Ria’s – 9 meters (27 feet) wide and 5 meters (15 feet) high.
Da Vinci used faces of actual people in his painting. When the monastery prior complained that the work was taking too long Da Vinci wrote back that he was struggling to find a suitably evil face for Judas, but that he’d be happy to use the face of the prior who had complained. After that, the complaints stopped.
I saw Ria’s finished painting a few weeks ago and it was impressive from all points of view – the perspective, the detail, the accuracy of the copy, the colours. An all-round great job on a difficult commission.
If you haven’t seen Da Vinci’s painting, it’s his take on the story of Jesus with the twelve apostles having a last supper before the crucifixion. The apostles are shown in various stages of anger, suspicion and dismay.